Performances in N.Y.C. Advertisement Supported by Critic’s Pick Kaija Saariaho’s “Innocence,” a powerful and kaleidoscopic depiction of mass violence and its aftermath, has arrived at the Metropolitan ...

Trigger Warning: This review includes discussion of school shootings. If you walked up to Lincoln Center from Broadway on Monday evening, you might have seen a line of people dressed in white holding ...

Picture this: You’re riding a chairlift on a bright and warm spring day. From a distance, you spot a deep track carved into the snow that winds, wiggles, and slithers its way down the mountain. A ...

Kaija Saariaho’s Innocence delves into guilt, grief and anger over a phenomenon largely thought of as distinctly American Gun violence, particularly the high-profile incidents that take place on ...

On March 31, the Metropolitan Opera presented the fourth performance of its current revival of Verdi’s “La Traviata.” At the core of this revival’s first cast was Lisette Oropesa, who returned to the ...

Earlier this month, the Kennedy Center board approved the president’s plan to close the center for two years. The Washington National Opera had already announced it was leaving, one of the most ...

Opera is taking a big step toward AI-driven browsing, and this time it is opening the door to other AI assistants. The company has introduced an MCP Connector for Opera Neon, which allows third-party ...

Style Points is a weekly column about how fashion intersects with the wider world. When Michael Kors set out to find the perfect New York venue for his splashy 45th anniversary show, only one location ...

People who care about opera can’t stop talking about the baby, or “that damned baby” as a disgruntled patron put it on the way out of the Metropolitan Opera last week. It’s a directorial conceit in a ...