"It Girl" by Allison Pataki is inspired by the life of Evelyn Nesbit, one of the most famous women in America at the turn of ...

The Dance of the Seven Veils in Richard Strauss’s Salome has always been the despair of opera impresarios. Problem: to find a soprano hefty enough to sing the music, loose-limbed enough to do the ...

Salome was 16 and slinky-slim. Birgit Nilsson is 46 and boatswain-burly. As for casting the Swede in the title role of Richard Strauss’s Salome, the idea seemed roughly comparable to starring Judith ...

“Salome” undoubtedly stands as one of the most significant works in the history of German opera. The elements Wagner outlined in his works reached Strauss as a direct torrent of influence, and it is ...

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Why are we asking for donations? Why are we asking for donations? This site is free thanks to our community of supporters. Voluntary donations from readers like you keep our news accessible for ...

Director Claus Guth’s production of Salome at the Metropolitan Opera is heavily laden with psychoanalytic symbols. King Herod’s titular stepdaughter, dressed in a Victorian-era children’s dress ...

The Biblical figure of Salome, Princess of Judea, who dances before Herod Antipas and demands the head of John the Baptist as a reward, infiltrated late-nineteenth-century culture as an agent of ...

Performances in N.Y.C. In Strauss’s “Salome,” is the Dance of the Seven Veils a seduction? A striptease? A cry for help? Watch some memorable versions from its long history. Manon Fleur Antonio and ...

Staged in deepest black and dingy white, Guth’s production is unapologetic in its symbolism. It opens on a girl playing with a doll in relative silence. She breaks off its arms moments before that ...

Elza van den Heever in the title role and Peter Mattei as Jochanaan in Strauss’s Salome at the Metropolitan Opera. Photo: Evan Zimmerman/Met Opera Strauss’s Salome returned to the Metropolitan Opera ...

Even without an over-the-top production—and the Met has had a couple of those—Richard Strauss’s SALOME has been outraging audiences for more than 120 years. This week’s new take by director Claus Guth ...