A multilayered political thriller, a dark-comedy salute to radical resistance, a ping-pong picaresque and a bluesy vampire tale set in Jim Crow Mississippi are among THR film reviewers’ favorites of ...

Our film critics watch a lot of movies in a year. By December, their viewing slates span international standouts, festival favorites, studio blockbusters, and plenty more in between. Below, Justin ...

Cinetic Media has signed Amalia Ulman, the multi-hyphenate behind “El Planeta,” a critically acclaimed absurdist comedy. “El Planeta” was written, directed and produced by Ulman, who starred in the ...

The Collider Staff is a diverse collection of talented writers who bring a wealth of experience, thoughtfulness, and knowledge to their analysis of entertainment. Whether you want a searing hot take ...

Film is like the indestructible black knight in Monty Python's The Holy Grail: It's not dead yet. Digital photography is well into its third decade. Yet film keeps hanging on, lying there shouting, ...

American movie producer, artist, and animator Walt Disney and the storyboards for the film "Sleeping Beauty." This list features films from 1940 to 2021. However, animation has been around since at ...

Morris Chestnut, Cuba Gooding Jr. and Ice Cube in "Boyz n the Hood," one of the top coming-of-age movies. You’re never too old to watch coming-of-age movies. These films remind us of the magic of ...

Navigating the Sundance Film Festival can be a tricky endeavor. The stacked screening schedule is practically made to send cinephiles into a tailspin: If the line for the new Steven Soderbergh movie ...

Sebastian is a pop culture writer with a passion for research, especially when it comes to movies, anime, and games. He holds a Bachelor's degree in History and has written features, movie reviews, ...

Had you told us at the beginning of 2023 that an internet joke about summer-movie counterprogramming would give birth to a major pop-cultural phenomenon; that both a lo-fi Canadian horror flick and a ...

It was a terrific year for film, whether art house or mainstream, even if the main subject the movies wrestled with was deeply pessimistic. By Manohla Dargis and Alissa Wilkinson Manohla Dargis I had ...