Two sons accompany their father for the day in a poignant and bittersweet Nigerian debut film. By Alissa Wilkinson When you purchase a ticket for an independently reviewed film through our site, we ...

Comicstorian recounts Flash Sins of the Father PT6 in comic book adventure. Catherine O'Hara's cause of death revealed Trump threatens to block the opening of a bridge between Ontario and Michigan in ...

Fatemeh # 2 is Fatemeh Ardeshir-Larijani, a doctor at Emory University whose very presence in the United States has created massive controversy. A recent petition has gone viral, garnering more than ...

The Department of Homeland Security (DHS) on Friday released an image of the father of a preschooler who authorities said was abandoned by his father as he fled from federal law enforcement. Fox News ...

Here's the thing about Dr. Seuss (which is pronounced “Zoice,” but some of y'all aren’t ready to have that conversation yet): since so many of us grew up having his books read to us, we don't often ...

Bad movies are no fun, but they’re fun to talk about. And, in a way, they’re important to talk about. There’s a school of thought that says a best of the year list is hallowed and meaningful, while a ...

Let's just say it: 2025 was a really good year for movies. Not all of them are. Sometimes compiling a Top 10 list is a chore. There are always a couple of great movies, a handful of good ones and then ...

Anyone will tell you that these are tumultuous, borderline-apocalyptic times for the film industry. Box office is down. The threat of AI looms. Billionaires and tech giants are laying waste to what ...

Randall Colburn is a writer and editor at Entertainment Weekly. His work has previously appeared on The A.V. Club, The Guardian, The Ringer, and many other publications.

Our film critics rank their 10 favorites of the year. By Manohla Dargis and Alissa Wilkinson Manohla Dargis It was another great year for the movies and another horrible, hair-on-fire year for the ...

2025 was a year that posed a lot of questions for movie lovers: Did the success of Sinners prove that there was still a mass audience hungry for original (read: non-IP) stories on a blockbuster level?