It’s a commitment to intensity that has served him well, and for the second time in a row, he has brought his characters to San Francisco.  2020’s “The Invisible Man” was set mostly in San Francisco,

The staggering natural beauty of the Pacific Northwest becomes a bloodied hunting ground in writer-director Leigh Whannell's latest stab at monster mayhem: Wolf Man (now playing in theaters everywhere;

The writer-director was partially inspired by a close friend who died of ALS, but ultimatley lost a scene involving the affliction: "That's definitely one that hurt when I took it out."

I was so happy with Invisible Man’s ending that I just don’t feel the artistic need to go forward with it,” he tells THR. “The financial need is something different. The studio might look at that and say,

The film pays tribute to the late brother of Whannell's wife Corbett Tuck ... Christopher Abbott and Julia Garner star as Blake and Charlotte, a San Francisco couple with a strained marriage. When Blake inherits his childhood farmhouse in rural Oregon ...

The Invisible Man’ director Leigh Whannell transforms the ‘Wolf Man’ into a story of a guy trying to avoid turning into his father.

Unfortunately for Universal/Blumhouse, it doesn't look like director Leigh Whannell is going to be able to repeat the success of his take on The Invisible

Invisible Man director Leigh Whannell has said he wanted to put a new spin on the tired and tested werewolf horror movie with his latest film Wolf Man.

Leigh Whannell, Corbett Tuck, Lauren Schuker Blum, Rebecca Angelo Starring: Christopher Abbott, Julia Garner, Matilda Firth, Sam Jaeger Rated: R for bloody violent content, grisly images and some language.

Review - Australian writer-director Leigh Whannell takes a crack at a famous monster - and finds something new, Dan Slevin writes.

Wolf Man is an upcoming American supernatural horror film directed by Leigh Whannell from a screenplay by the writing teams of Whannell and Corbett Tuck, and Lauren Schuker Blum and Rebecca Angelo. It is a reboot of the 1941 film The Wolf Man.

When speaking to The New York Times about the titular character's changes, director Leigh Whannell revealed, "I had this idea of the camera moving around the room and suddenly what seemed like ...