“In my own village, where I was born, the Middle Ages lasted until World War I,” Luis Buñuel wrote at the beginning of his autobiography “My Last Breath,” referring to Calanda, in Aragon, northern ...

Held in spring 2021 at Madrid’s Fernán Gómez Theater, the exhibition Carlos Saura and Dance began with a wall panel of B&W photos the director took at the 1956 Granada Intl. Festival of Music and ...

The film opens with a slow pan around a cavernous Buenos Aires soundstage, where a lidless piano with its hammers and strings exposed is being tuned. Then a pianist warms up, while a small band of ...

Adorned in oranges, purples, and golds, and unfolding on shimmering soundstages flanked by scrims and screens of varying sizes, “Fados” creates a universe unto itself, an enclosed festival space meant ...

After rising to prominence for his early politically charged films, Saura became an international figure in the 1980s for his Flamenco-infused dance dramas. Carlos Saura, one of the most towering ...

“In my own village, where I was born, the Middle Ages lasted until World War I,” Luis Buñuel wrote at the beginning of his autobiography “My Last Breath,” referring to Calanda, in Aragon, northern ...

Spanish filmmaker Carlos Saura is best known on this side of the Atlantic for his 1980s flamenco trilogy Blood Wedding, Carmen and El Amor Brujo. The director has spent the latter part of his long ...

Add Yahoo as a preferred source to see more of our stories on Google. “In my own village, where I was born, the Middle Ages lasted until World War I,” Luis Buñuel wrote at the beginning of his ...