Four different dances trace the 45-year history of Mark Morris Dance Group, which is being presented by The Sarasota Ballet.
Maren Morris Shares Cathartic Cover of Billy Idol's 'Dancing with Myself': 'I Truly Gave Zero F---s'
In the music video for her new single, Morris can be seen dancing through a Nashville record store Maren Morris is embracing being on her own. On Thursday, the musician, 33, released a cathartic, ...
Patients with Parkinson’s are combating their disease with dance, thanks to weekly free Dance for PD classes with the Mark Morris Dance Group in Brooklyn. Research confirms that dance is highly ...
Theaters are open, tickets are selling, dancers and singers and actors and musicians are back at work … the pandemic’s clampdown on the performing arts is behind us, right? Right? Here’s what Mark ...
There was one participant who never stopped dancing on Putney Mountain over the years, even during the COVID-19 pandemic, but he was missing on this day. Stu Strothman, a long-time member of the ...
"We are very excited to launch the Mark Morris Digital Dance Center for the entire dance community - here in New York City and around the world. Our new on-demand channel will make the highest-level ...
The Mark Morris Dance Group and Music Ensemble returns to the Center for the Arts with Dances to American Music, a vibrant celebration of the rich tapestry of American music and dance. Featuring ...
Mark Morris returned to Berkeley this weekend with dances old and new, with his troupe in glorious shape and with an added bonus: Morris himself in the new "Foursome." Morris acted as well, sort of, ...
Performances in N.Y.C. Advertisement Supported by Critic’s Notebook In his Joyce Theater debut, Morris unveiled a cheekily titled premiere and “Castor and Pollux,” a lost treasure from his early days.
When you think of the English tradition of Morris dancing, you might not picture a group of young, gender non-conforming, drag kings who dress like "chimney sweeps" - but that will be because you've ...
A little minuet in Mozart’s The Marriage of Figaro, a hip-swinging processional in Verdi’s Aida, a ballroom waltz in Tchaikovsky’s Eugene Onegin — until fairly recently, that, generally speaking, was ...
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